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Saturday, December 19, 2009

White Whitecity (Belgrade)

If I have to choose between the moderate and the marginal and dramatic, my preference goes for the latter. This is the reason why I love dramatic weather in either directions - both hot and cold. That is also why heavy snow, thunders, heavy rain and heat waves attract me so much. I have a liking for the marginal behaviour as well provided it is in an intelligent direction and that it is an intellectual statement. While Arthur Rimbaud's life story - quitting poetry at 17 and dealing with trade in Africa - is to be respected in its marginality, Partizan fans marginal threats to a reporter who disclosed their criminal links is to be immediately repudiated.

These days were of metereological marginality. It snowed a heavy snow in Serbia and the temperatures were very low. On top of that Belgrade taxi drivers were on strike because (hear that) they were against the introduction of obligatory meters in the cars and because they wanted minimum tariffs. How funny that we all want to be European but when the European way is against our financial interests then the Europeanness is easily forgotten.

Anyway, I acted as my own taxi driver and I drove 200 km in snow and ice between different meetings. On Friday I took some time for a nice slow walk in Belgrade, a visit to some bookstores and have a nice lunch.

This is Vojvoda (Chieftain) Vuk in a small park. I don't know what he did but he died aged 35. I imagine he was a marginal personality and logically did not die in his bed. I took a picture of him as I liked how the snow looked like some strange creature is strangling him.

Vojvoda Vuk

Knjaz Mihailova is a beautiful street and here are its cute lanterns.

Lantern on Knjaz Mihailova street

Kalemegdan fortress was fantastic under the snow. There was hardly a soul in the cold and all I could hear was the sound of me walking on the snow.

The small and the big


Kalemegdan Fortress

There is a beautiful view from the fortress both to Sava and Danube rivers. In a cold and snowy weather water looks like mercury and so does the sky.

Frozen Sava River

Thursday, December 10, 2009

Santa Clause, Cherry Nose, Holy Night

I haven't written a blog post for weeks. I don't know what got me - it's been a bad period for me - too much stress at work, too many travels and things to do, too many sleepless nights and hectic days. And....inspiration is such an delicate thing. Sometimes you think it will stay forever, the next day - it is gone.

This period of the year time usually accelerates for me. It is probably because December is kind of short because of the Christmas and New Year holidays and I want to cram the same number of things in less days.

And there is the accumulated fatigue from the year. I haven't counted my days of travel this year but I have been away for at least 50 days and 20 of them were during the last two months. That's a lot, at least for me.

And there is also the end of projects and books I have worked on. Although, on one hand there is a sense of relief that something is over, there is also a sense of emptiness and the questions 'was it worth it?', 'was it good?'. Some new things are starting as well but I still can't get motivated enough about them.

I definitely need some slow time, some long mornings and evenings with friends therefore I am waiting for the Christmas break. I am really looking forward for around 10 days of no work thoughts and laptop use only for blog purposes. I just have to get rid of this terrible habit of answering e-mail at 3.30 am just because I have the instinct of checking my work e-mail any time. That's too bad, constant connectivity is terrible.

I guess I just need Santa Claus to come for me with some peace. Several days ago Santa came at my work place and my kids were quite happy to get to meet him.


Here is Boris reciting a poem to get a bag of chocolates. He had to overcome his initial fear from Santa though. The day before he shared with me that he doesn't like Santa as Santa who came to their kindergarten had a gun and wanted to beat him up. I hope this is not true. This reminds me though of an article I read recently on how in 1951 a group of French Catholics burned an effigy of Santa protesting against Santa's growing importance to families and commerce in a way 'stealing' some of Christmas original symbolics and passing it on to a pagan symbol.

Claude Levi-Strauss reacted to this and tried to explain the Santa Clause phenomenon as marking the border between childhood, adolescence and adult age. He calls it a 'myth of initiation', mysteries that adults know and kids - don't. I still remember my horror and disappointment when my mother told me that Santa doesn't exist. I also remember the wonderful December evenings when Santa came to my mother's dental clinic bringing me a nice toy (toys were fewer these days and their value was higher) or...New Year in Veliko Tarnovo when Santa left gifts in front of the door.

Levi-Strauss also explains Santa's existence by the need to limit the 'obligatory' gift-giving period to once per year (he must have forgotten the birthdays). It seems that the origin of Santa Claus is found in the Abboth Liess, Abbas Stultorum, Lord of Misrule. The good Santa Clause appeared as a symmetric personality to Roman Saturn who ate children. He has something to do with the Scandinavian Julbok - underground demon bringing gifts to the kids.

And.... there must be something about Santa Claus if Bob Dylan started singing carols.

Tuesday, November 24, 2009

On obscenities and homelands

"Obscenity: the root that attaches us most deeply to our homeland."
This is Milan Kundera going one step further from Czeslaw Milosz who famously wrote that language is the only homeland. I love Kundera's ability to get into the core of an issue with a pithy definition. I bumped into this one while browsing his "Art of the Novel" and I could not stop laughing.

What he describes is a familiar sentiment to all of us who have been uprooted out of our native linguistic context and into a second or a third language. Swearing in a foreign language? No problem! It carries almost no weight. You say the words just like any other words because you are detached. You don't feel them as bad, inappropriate, or harsh.

In my own language, on the other hand, I use them with utmost care. Don't ask me to teach you to swear in Serbian because I won't--first, because Serbian curses are really harsh and, second, because there is a proper context for swearing and that, for me, always involves being home (as in, home in Serbia). Out of that context, it doesn't feel right.

It is funny, when I am irritated or angry, I use a Bulgarian expression "po dyavolite" which means "to hell." Now, to Ruslan this is extremely rude and he reprimands me every time. My other Bulgarian friends say this is an old-fashioned curse which almost doesn't feel like one, it is kind of charmingly outdated. That's how I feel about it, too.

The Serbian equivalent "dodjavola" (it has identical meaning) is so light, I don't think anyone would consider it an obscenity. In fact, I bet people would just burst out laughing at it. But then it is true that we are a nation which curses a lot, and a general threshold of tolerance to using "bad language" is much higher than in other places I lived.

In Serbia, swearing is weaved seamlessly into conversations, whether it's a friendly banter or a serious discussion (as for arguments, that goes without saying). It completely cuts across class, geographical origin or education--you can't pigeonhole people based on swearing because everyone does swear a lot, from manual workers to university professors. It's one true democratic pursuit.

That's one thing that has been a cultural shock for Ruslan and I don't think he managed to get used to it even after all these years. Our cultures are otherwise incredibly similar, our languages very much alike, most of our idiomatic expressions are the same and, generally, we have very similar "mentality," except for this one difference that we curse a lot and, somehow, they don't. Why is that?

Monday, November 16, 2009

In the mail

I would like to dispel a notion some of you might have (especially if you are Ruslan) that all that ever arrives to our mailbox as a result of online shopping are shoes (and occasionally clothes). It would be so wrong to think that because I actually enjoy buying books (and occasionally music) much more.

After all, shoes are a necessity, so we are talking very low levels of the Maslow pyramid here. And finding the right ones--well, that's just hard work, as any woman would tell you. Really, no fun at all.

Books, on the other hand, are sheer pleasure. To say that I like to read would be an understatement; I also like to see our library grow, although the space is a limiting factor there. When I dream of my own place, the first thing I visualise is a library taking up an entire wall, from the floor to the ceiling.

So, today, three new additions to the library have just arrived:

The Art of the Novel, Milan Kundera

I read this one back in high school but felt like re-visiting. I like Kundera a lot--he is not heavy artillery like Nabokov or Danilo Kis, but he is witty and somehow manages to stay on this side of (over) simplification. A perfect re-reading material.

Dona Flor and Her Two Husbands, Jorge Amado

I don't know much about this author except that he is Brazilian. I discovered one of his books, "Gabriella, clove and cinnamon" in Ruslan's father's library, in Bulgarian, and I read it practically in one go. It was fantastic and I even re-read it last summer. I decided that I had to get something else from Amado and, voila. Let's see if Dona Flor rises up to expectations.

Langford's Basic Photography: The Guide for Serious Photographers

After just a tiny bit of browsing, I can say that this one is very promising and also very different from both Scott Kelby and Brian Petersen. It really is for people with a nerdy scientific slant, as there are a lot of technical details about how a camera works, the role of light, etc. Just what I have been looking for! An in-depth look will follow in the next installment of the analogue experiment series.